2/2022
Téma: Digital Tools in Local Cinema History
Editorial
Terézia Porubčanská (Masarykova univerzita / Antverpská univerzita)
Digital Tools in Local Cinema History
[plný text / EN]
Články k tématu
Karina Pryt (Goethe-Universität Frankfurt)
Using Digital Tools to Locate Living and Working Areas of Domestic Producers and Circulation of their Films in 1910s Warsaw
[abstrakt / EN]
Agata Frymus (Monash University)
Ordinary People, Ordinary Lives: The Prospects of New Cinema History
[abstrakt / EN]
Ingrid Stigsdotter (Stockholmská univerzita)
Anna Hofman-Uddgren, Pioneer of Stockholm Cinema Culture. Digitized Tools and Resources for Research on Early Cinema History and Film Reception in Sweden
[abstrakt / EN]
Michael Aronson – Gabriele Hayden – Elizabeth Peterson (University of Oregon)
Local Cinema History at Scale: Data and Methods for Comparative Exhibition Studies
[abstrakt / EN]
Rozhovor
Terézia Porubčanská
Building a Digital Archive for Cross-national Historical Research. An Interview with Daniela Treveri Gennari, Lies Van de Vijver and Pierluigi Ercole
Recenze
Martin Mišúr
Limity, lesk i rétorika filmových profesionálů. Filmové průmysly nacisty okupovaných zemí
(Pavel Skopal – Roel Vande Winkel, eds., Film Professionals in Nazi-Occupied Europe)
Ivan David
Kdo vlastní obrazy?
(Sylvie Lindeperg – Ania Szczepanska, Who Owns the Images?)
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