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Obalka 3-2020 velka




Radomír D. Kokeš (Masaryk University)

Czech Cinema as a Regional Poetics. Questions of Continuity and the Beginnings of Studio Production

Barbora Podškubková – Pavel Skopal (Masaryk University)

Club Members for Themselves. Film Club Functionaries
in Uherský Brod, 1976–1989

Ondřej Bezucha (Charles University)

Object Specific Cinema. Stylistic Elements of Videomapping
in the Work of the Macula Group

Michal Böhm (The Academy of Performing Arts in Prague)

Didactics of Composition and Order. Development of Teaching Editing Theory at FAMU

Studies on Documents

Ivan Klimeš (Charles University / National Film Archive
in Prague)

Under the Protection of the Film Industry. Total Military Deployment in Culture and Cinematography During
the Protectorate


Ivan Klimeš

Total Military Deployment in Czech Cinema 1944


Jana Čížkovská

Czechoslovak Television for Foreign Viewers and Readers
(Martin Štoll: Television and Totalitarianism in Czechoslovakia. From the First Democratic Republic to the Fall of Communism)

Jakub Ferenc

Parikk’s Green Turn in Media Theory: Meritorious Intention, Problematic Philosophy

(Jussi Parikka: Geologie médií)

Taida Kusturica

“Bodies in Transition”: Towards Eastern European and Russian Corporeality in Film

(E. Mazierska, M. Mroz, and E. Ostrowska (eds.):
The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure)