Iluminace 2020, 32(1):41-60 | DOI: 10.58193/ilu.1654
To Protect the Christian Idea against the Hanky-Panky of the Jewish Clique. St. Wenceslas as a Conflict of Ambitions, Ideas and Interests
- Masarykova univerzita
This article explores the conceptual and pre-production stage circumstances and decision-making process in the case of negotiations for the production of Czech silent epic drama St. Wenceslas. Members of Millenium-film, a non-filmic association, seeking to provide financial resources for the production from the Czech government, had a several opportunities to make a deal with Czech producers (Miloš Havel) or production companies (Elektafilm and Astra National Production Ltd.) to co-finance it. However, the negotiations were completely unsuccessful due to different interests in the project. As the records of meetings indicate, Millenium-film's decisions were greatly affected by members' demands for the maximum control over the making meanings related to the figure of Saint Wenceslas. Their approach is reflected by crucial choices about scenario and director, influencing the film form and meanings. The study argues filmmakers' ambitions could not be fulfilled due to their lack of symbolic capital in this particular project and they could operate merely as suppliers of their skills.
Keywords: St. Wenceslas, production history, Czech silent cinema, Millenium-film, National cinema
Published: March 1, 2020 Show citation
References
- Zdeněk Štábla, Data a fakta z dějin čs. kinematografie 1896-1945. Praha: ČSFÚ 1990.
- Luboš Bartošek, Náš film. Kapitoly z dějin (1896-1945). Praha: Mladá fronta 1985.
- Ivan Klimeš - Jiří Rak, Idea národního historického filmu v české meziválečné společnosti. Iluminace 1, 1989, č. 2, s. 32.
- Petr Placák, Svatováclavské milénium: Češi, Němci a Slováci v roce 1929. Praha: Babylon 2002.
- Marek Šmíd, Marmaggiho aféra. Největší diplomatická roztržka mezi ČSR a Svatým stolcem v meziválečném období. Církevní dějiny 7, 2014, č. 14, s. 40-49.
- Jan Trnka, Formování scenáristického řemesla v českém filmu 20. let a "osvědčený" Josef Neuberg. Iluminace 28, 2016, č. 1, s. 66.
- Petr Kopal (ed.), Film a dějiny. Praha: Nakladatelství Lidové noviny 2005.
- Ivan Klimeš, Kinematografie a stát v českých zemích 1895-1945. Praha: Univerzita Karlova v Praze, Filozofická fakulta 2016.
- Pierre Bourdieu - Loïc J. D. Wacquant, An Invitation to Reflexive Sociology. Chicago - London: The University of Chicago Press 1992.
- Pierre Bourdieu, Pravidla umění. Geneze a struktura literárního pole. Brno: Host 2010.
- John Richardson, Handbook of Theory and Research for the Sociology of Education. Westport: Greenwood Press 1986.
- Krystyna Wanatowiczová, Miloš Havel. Český filmový magnát. Praha: Knihovna Václava Havla 2013.
- Steve Neale, Genre and Hollywood. London - New York: Routledge 2000.
- Emil Krejčí, Arnošt Dvořák. Praha: Divadelní ústav 1970.
- Josef Pekař, Svatý Václav. Definitivní vydání práce vyšlé r. 1929, opatřené poznámkami. Zvláštní otisk ze Svatováclavského sborníku. Praha: Tiskem Státní tiskárny 1932.
- Jonathan Gray, Show Sold Separately. Promos, Spoilers and Other Media Paratexts. New York - London: New York University Press 2010.
- C. Paul Sellors, Collective Authorship in Film. The Journal of Aesthetics and Art Criticism 65, 2007, č. 3, s. 268-270.
Go to original source...
This is an open access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0), which permits use, distribution, and reproduction in any medium, provided the original publication is properly cited. No use, distribution or reproduction is permitted which does not comply with these terms.