Iluminace 2025, 37(1):49-71 | DOI: 10.58193/ilu.1798

Polish Contemporary Cinema. Between Right-wing Cultural Policy and Netflix Imperialism

Anna Wróblewska ORCID...
Łódź Film School, Poland

This article is the first synthesis of the social, political and economic conditions of Polish cinema in recent years and their influence on the current shape of Polish cinema. This shape is changing dynamically all the time, although the direction of the changes is not obvious at the moment. In many respects the situation of Polish cinema has been exceptional in recent years. But the processes or elements of the processes described in this article are reflected in the internal markets of Central and Eastern Europe. This situation should prompt researchers to analyse the impact of the external and internal environment on national film markets in this region. The conclusions may be useful and can be translated into formal and organisational solutions in local cinema systems.

Klíčová slova: film production, producers, self-censorship, platform imperialism, Polish cinema

Vloženo: 20. únor 2024; Revidováno: 16. prosinec 2024; Přijato: 9. březen 2025; Zveřejněno online: 9. červen 2025; Zveřejněno: 11. červen 2025  Zobrazit citaci

ACS AIP APA ASA Harvard Chicago IEEE ISO690 MLA NLM Turabian Vancouver
Wróblewska, A. (2025). Polish Contemporary Cinema. Between Right-wing Cultural Policy and Netflix Imperialism. Iluminace, 37(1), 49-71. doi: 10.58193/ilu.1798
Sdílet...
Stáhnout citaci
  • BibTeX (.bib)
  • Bookends (.ris)
  • EasyBib (.ris)
  • EndNote (.enw)
  • EndNote 8 (.xml)
  • ISI WoS (.isi)
  • Medlars (.medlars)
  • Mendeley (.ris)
  • MODS (.xml)
  • Papers (.ris)
  • RefWorks (.txt)
  • RefManager (.ris)
  • RIS (.ris)
  • MS Word (.xml)
  • Zotero (.ris)
    • Zobrazit celý článek

    Reference

    1. Adamczak, Marcin. Obok ekranu: Perspektywa badań produkcyjnych a społeczne istnienie filmu (Poznań: Wydawnictwo Naukowe UAM, 2014).
    2. Adamczak, Marcin and Sławomir Salamon. "Kruszenie globalnego Hollywood: System 'holdbacks' i sekwencyjność okien dystrybucyjnych a rozwój platform streamingowych," Kwartalnik Filmowy, no. 108 (2019), 243-255, accessed September 25, 2024, https://czasopisma.ispan.pl/index.php/kf/article/view/190. Přejít k původnímu zdroji...
    3. Adamczak, Marcin, Piotr Marecki, and Marcin Malatyński, eds. Restart Zespołów Filmowych: Film Units: Restart (Kraków and Łódź: Korporacja Ha!art, Wydawnictwo PWSFTviT, 2012).
    4. "Badanie ogólnych warunków produkcji filmowej w Polsce" (Unpublished internal report, Warsaw, Association of Polish Filmmakers, 2023).
    5. "Badanie wpływu COVID-19 na działalność producentów filmowych w Polsce," Box Office Lab, 2021, accessed September 24, 2024, https://www.boxofficelab.pl/static/15b1967f8ad233d63ad34 62bc2cad2af/Badanie-covid-producenci-PISF-2021_PL-EN.pdf.
    6. Davis, Stuart. "What is Netflix imperialism? Interrogating the monopoly aspirations of the World's largest television network," Information, Communication and Society 26, no. 6 (2021), 1143-1158, accessed September 25, 2024, https://doi.org/10.1080/1369118X.2021.1993955. Přejít k původnímu zdroji...
    7. De Valck, Marijke. "Film Festivals, Bourdieu, and the Economization of Culture," Canadian Journal of Film Studies 23, no. 1 (2014), 74-89. Přejít k původnímu zdroji...
    8. "Economic Impact of Screen Production in Poland," kipa.pl, Olsberg SPI, 2023, accessed September 25, 2024, https://kipa.pl/raport-olsberg-spi-wplyw-sektora-av-na-gospodarke-polski.
    9. Gawrycki, Marcin. Uwikłane obrazy: Hollywoodzki film a stosunki międzynarodowe (Warszawa: Wydawnictwa Uniwersytetu Warszawskiego, 2011). Přejít k původnímu zdroji...
    10. Goscilo, Helena, and Beth Holmgren. Polish Cinema Today: A Bold New Era in Film (Lanham: Lexington Books, 2023).
    11. Grossman, Lewis. "Self-Censorship by Media Industries," Columbia-VLA Journal of Law & the Arts 15, no. 4 (1991), accessed September 24, 2024, https://digitalcommons.wcl.american.edu/ facsch_lawrev/1621.
    12. Grynienko, Katarzyna. "FNE at Gdynia Polish Film Festival 2024: Prize Winners," Film New Europe, September 29, 2024, accessed September 30, 2024, https://www.filmneweurope.com/news/poland- news/item/126215-fne-at-gdynia-polish-film-festival-2024-prize-winners.
    13. Guiralt, Carmen. "Self-Censorship in Hollywood during the Silent Era: A Woman of Affairs (1928) by Clarence Brown," Film History 28, no. 2 (2016), 81-113. Přejít k původnímu zdroji...
    14. Haltof, Marek. Polish Cinema: A History (New York: Berghahn Books, 2018). Přejít k původnímu zdroji...
    15. Hazlett, Thomas W. "U.S. Antitrust Policy in the Age of Amazon, Google, Microsoft, Apple, Netflix and Facebook," Constitutional Political Economy 35, (2024), 73-108, https://doi.org/10.1007/s10602-022-09391-9. Přejít k původnímu zdroji...
    16. Chmielewski, Dawn, and Dade Hayes. Binge Times: Inside Hollywood's Furious Billion-Dollar Battle to Take Down Netflix (New York: William Morrow, 2022).
    17. Jin, Dal Yoong. "The construction of platform imperialism in the globalization era," Triple C: Communication, Capitalism, & Critique 11, no. 1 (2013), 145-172, accessed September 24, 2024, https:// doi.org/10.31269/triplec. Přejít k původnímu zdroji...
    18. Klejsa, Konrad, Schamma Shahadat, and Margarete Wach, eds. Der Polnische Film Von seinen Anfängen bis zur Gegenwart (Marburg: Schüren Verlag, 2012).
    19. Lobato, Ramon. Netflix Nations: The Geography of Digital Distribution (New York: New York University Press, 2019). Přejít k původnímu zdroji...
    20. Lotz, Amanda. Netflix and Streaming Video (Cambridge: Polity Press, 2020).
    21. Majer, Artur, Agnieszka Orankiewicz, and Anna Wróblewska. Pieniądze - produkcja - rynek: Finansowanie produkcji filmowej w Polsce (Łódź: Wydawnictwo PWSFTvIT, 2019).
    22. Majer, Artur, and Agnieszka Orankiewicz. "Trends in Film Industry Development in Poland," Humanities and Social Sciences 25, no. 4 (2018), 263-276, accessed September 25, 2024, https://doi. org/10.7862/rz.2018.hss.83. Přejít k původnímu zdroji...
    23. Marszałek, Rafał. Filmowa pop-historia (Kraków: Wydawnictwo Literackie Kraków, 1984).
    24. Orankiewicz, Agnieszka. "The Role of Public Support for the Film Industry - An Analysis of Movie Production Incentives in Europe," Prace Naukowe Uniwersytetu Ekonomicznego we Wrocławiu 66, no. 2 (2022), 90-104. Přejít k původnímu zdroji...
    25. Said, Edward W. Culture and Imperialism (Lecture delivered at York University, Toronto, 10 February 1993, accessed September 25, 2024, http://www.turowski.uni.wroc.pl/said.htm).
    26. Said, Edward W. Culture and Imperialism (London: Vintage Books, 1994).
    27. Schaefer, Eric. "The Exploitation Film and Self-Censorship Author(s)," Film History 6, no. 3 (1994), 293-313.
    28. Szczepanik, Petr. Screen Industries in East-central Europe (London: Bloomsbury Publishing, 2021). Přejít k původnímu zdroji...
    29. Szostak, Sylwia. "Netflix Poland - caught between a rock and a hard place," Flow, October 11, 2023, accessed September 25, 2024, https://www.flowjournal.org/2023/10/netflix-poland/.
    30. Tomlinson, John. Cultural Imperialism: A Critical Introduction (Baltimore: Johns Hopkins University Press, 1991).
    31. Towse, Ruth. A textbook of Cultural Economics (New York: Cambridge University Press, 2010). Přejít k původnímu zdroji...
    32. Werner, Mateusz. Polish Cinema Now! (Barnett: John Libbey Publishing, 2010). Přejít k původnímu zdroji...
    33. Wróblewska, Anna. "Identyfikacja interesariuszy jako wstęp do analizy środowiska projektowego imprezy kulturalnej: Przykład Festiwalu Polskich Filmów Fabularnych w Gdyni," in Zarządzanie w sektorze kultury: Między teorią a praktyką, eds. Ewa Kocój, Joanna Szulborska-Łukaszewicz, and Alicja Kędziora (Kraków: Wydawnictwa Uniwersytetu Jagiellońskiego, 2019), 199-224.
    34. Wróblewska, Anna. "Konferencja w Serocku (IV): O producentach, kosztach, platformach i ekipach,"Association of Polish Filmmakers, December 7, 2021, accessed September 24, 2024, https://www.sfp.org.pl/wydarzenia,5,32566,2,1,Konferencja-w-Serocku-IV-O-producentach-kosztachplatformach-i-ekipach.html.
    35. Zajiček, Edward. Zarys historii gospodarczej kinematografii polskiej: Kinematografia wolnorynkowa w latach 1896-1939 (Łódź: Wydawnictwo PWSFTViT, 2008).

    Tento článek je publikován v režimu tzv. otevřeného přístupu k vědeckým informacím (Open Access), který je distribuován pod licencí Creative Commons Attribution 4.0 International License (CC BY 4.0), která umožňuje distribuci, reprodukci a změny, pokud je původní dílo řádně ocitováno. Není povolena distribuce, reprodukce nebo změna, která není v souladu s podmínkami této licence.


    Zpět na obsah