Iluminace 2000, 12(2):5-40

Film and the Theory of Intertextuality

Michail Jampolskij

Iconography and iconology as a textual element of film - examples from film history. Symbols as iconographic forms. Anagrams and their methodological significance in the theory of intertextuality. Types of anagrams. Text, subtext, script and hieroglyph, book, quotation and signboard as motif and symbolic element. The principle of the “third text”, multiplied plots, “game-within-a-game”.

Keywords: film theory, film aesthetics, semantics, symbol in film, written text in film, film science and research

Published: June 1, 2000  Show citation

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Jampolskij, M. (2000). Film and the Theory of Intertextuality. Iluminace, 12(2), 5-40
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