Iluminace 2009, 21(4):5-37

Fictional Worlds of (Crime) Television Series

Radomír D. Kokeš

The author suggests an original model that can lead to a comprehensive narratological theory of serial fiction. It is based on a network of relationships between the viewer, the parts and the whole, which makes the television series a fictional arrangement that is radically different from film. The author chooses the procedure of illustrating the specific fictional arrangement of the crime series.

Keywords: film theory, narration in film, semantics, fiction in series, film aesthetics

Published: December 1, 2009  Show citation

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Kokeš, R.D. (2009). Fictional Worlds of (Crime) Television Series. Iluminace, 21(4), 5-37
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