Iluminace 2019, 31(2):151-158 | DOI: 10.58193/ilu.1628

Let the Image Burn. Found Footage and the Horror of Film Materiality

Jiří Anger

Published: June 1, 2019  Show citation

ACS AIP APA ASA Harvard Chicago IEEE ISO690 MLA NLM Turabian Vancouver
Anger, J. (2019). Let the Image Burn. Found Footage and the Horror of Film Materiality. Iluminace31(2), 151-158. doi: 10.58193/ilu.1628
Download citation

References

  1. Jiří Anger, Afekt, výraz, performance: Proměny melodramatického excesu v kinematografii těla. Praha: FF UK 2018.
  2. Alejandro Bachmann, The Trace of Walk That Has Taken Place - A Conversation with Peter Tscherkassky. Found Footage Magazine 4, 2018, č. 4, s. 30.
  3. Jeanne Pommeau - Jiří Anger, The Digitization of Jan Kříženecký's Films. Iluminace 31, 2019, č. 1, s. 104-107. Go to original source...
  4. Laurent Mannoni, Les Appareils cinématographiques Lumière. 1895, 2017, č. 82, s. 52-88. Go to original source...
  5. William Wees, Recycled Images: The Art and Politics of Found Footage Films. New York: Anthology Film Archives 1993.
  6. Steve F. Anderson, Technologies of History: Visual Media and the Eccentricities of the Past. Lebanon: Dartmouth College Press 2011.
  7. Jaimie Baron, The Archive Effect: Found Footage and the Audiovisual Experience of History. London: Routledge 2014. Go to original source...
  8. Catherine Russell, Archiveology: Walter Benjamin and Archival Film Practices. Durham: Duke University Press 2018. Go to original source...
  9. Paul Arthur, A Line of Sight: American Avant-garde Film Since 1965. Minneapolis: University of Minnesota Press 2005.
  10. Peter Tscherkassky (ed.), Film Unframed: A History of Austrian Avant-Garde Cinema. Vienna: Austrian Film Museum 2012.
  11. Akira Mizuta Lippit, Ex-Cinema: From a Theory of Experimental Film and Video. Berkeley: University of California Press 2012.
  12. Bernd Herzogenrath (ed.), The Films of Bill Morrison: Aesthetics of the Archive. Amsterdam: Amsterdam University Press 2017. Go to original source...
  13. Paolo Cherchi Usai, The Death of Cinema: History, Cultural Memory, and the Digital Dark Age. London: BFI 2001.
  14. Mary Ann Doane, The Indexical and the Concept of Medium Specificity. Differences 18, 2007, č. 1, s. 128-152. Go to original source...
  15. D. N. Rodowick, The Virtual Life of Film. Harvard: Harvard University Press 2007. Go to original source...
  16. André Gaudreault - Philippe Marion, The End of Cinema? A Medium in Crisis in the Digital Age. New York: Columbia University Press 2015. Go to original source...
  17. Michael Betancourt, Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics. New York: Routledge 2016. Go to original source...
  18. Eugene Thacker, In the Dust of This Planet: Horror of Philosophy, vol. 1. Winchester: Zero Books 2011.
  19. Starry Speculative Corpse: Horror of Philosophy, vol. 2. Winchester: Zero Books 2015.
  20. Tentacles Longer Than Night: Horror of Philosophy, vol. 3. Winchester: Zero Books 2015.
  21. Dylan Trigg, The Thing: A Phenomenology of Horror. Winchester: Zero Books 2014.
  22. Andrew Culp, Dark Deleuze. Minneapolis: Minnesota University Press 2016.
  23. David Peak, The Spectacle of the Void. San Bernardino: Schism 2014.
  24. Thomas Ligotti, The Conspiracy Against the Human Race: A Contrivance of Horror. New York: Hippocampus Press 2011.
  25. Eugenie Brinkema, The Forms of the Affects. Durham: Duke University Press 2014. Go to original source...
  26. Jiří Anger - Tomáš Jirsa, We Never Took Deconstruction Seriously Enough: An Interview with Eugenie Brinkema. Iluminace 31, 2019, č. 1, s. 67-69.
  27. Jane Bennett, Vibrant Matter: A Political Ecology of Things. Durham: Duke University Press 2010. Go to original source...
  28. Levi R. Bryant, Substantial Powers, Active Affects: The Intentionality of Objects. Deleuze and Guattari Studies 6, 2012, č. 4, s. 529-543. Go to original source...
  29. Steven Shaviro, The Universe of Things: On Speculative Realism. Minneapolis: Minnesota University Press 2014. Go to original source...
  30. Shane Denson, Discorrelated Images. Durham: Duke University Press 2019. Go to original source...
  31. Bernd Herzogenrath (ed.), Media|Matter: The Materiality of Media, Matter as Medium. New York: Bloomsbury 2015. Go to original source...
  32. Kateřina Krtilová - Kateřina Svatoňová, Medienwissenschaft: Východiska a aktuální pozice německé filozofie a teorie médií. Praha: Academia 2016.
  33. Jihoon Kim, Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age. New York: Bloomsbury Academic 2016.
  34. D. N. Rodowick, What Philosophy Wants from Images. Chicago: University of Chicago Press 2018. Go to original source...
  35. Paolo Cherchi Usai, Silent Cinema: An Introduction: Revised and Expanded Edition. London: BFI 2000.
  36. Giovanna Fossati, From Grain to Pixel: The Archival Life of Film in Transition. Amsterdam: Amsterdam University Press 2009. Go to original source...
  37. Leo Enticknap, Film Restoration: The Culture and Science of Audiovisual Heritage. New York: Palgrave Macmillan 2013.
  38. Kerstin Parth - Oliver Hanley - Thomas Ballhausen (eds.), Works in Progress. Digital Film Restoration within Archives. Vienna: Synema Gesellschaft Fur Film u Medien 2013.
  39. Patrycjusz Pajak, Hrůza v české literatuře. Praha: Academia 2017.
  40. Tiago Baptista, Lessons in Looking: The Digital Audiovisual Essay. PhD Thesis. London: Birkbeck, University of London 2016.

This is an open access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0), which permits use, distribution, and reproduction in any medium, provided the original publication is properly cited. No use, distribution or reproduction is permitted which does not comply with these terms.