Iluminace 2020, 32(3):182-185 | DOI: 10.58193/ilu.1680
"Bodies in Transition": Towards Eastern European and Russian Corporeality in Film (E. Mazierska, M. Mroz, and E. Ostrowska (eds.): The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure)
Published: September 1, 2020 Show citation
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Kusturica, T. (2020). "Bodies in Transition": Towards Eastern European and Russian Corporeality in Film (E. Mazierska, M. Mroz, and E. Ostrowska (eds.): The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure). Iluminace, 32(3), 182-185. doi: 10.58193/ilu.1680
References
- Steven Shaviro, The Cinematic Body (Minneapolis: University of Minnesota Press, 1993).
- Andrea Virginás (ed.), Cultural Studies Approaches in the Study of Eastern European Cinema: Spaces, Bodies, Memories (Cambridge: Cambridge Scholars Publishing, 2016).
- Anikó Imre (ed.), A Companion to Eastern European Cinemas (Chichester, West Sussex: Wiley-Blackwell, 2012).
- Elżbieta Ostrowska, 'Women Who Eat Too Much: Consuming Female Bodies in Polish Cinema', in Transgressive Women in Modern Russian and East European Cultures (Routledge, 2016), p. 128-142.
- Andrea Virginás, 'Preface', in Virginás (ed.), Cultural Studies Approaches in the Study of Eastern European Cinema: Spaces, Bodies, Memories (Cambridge: Cambridge Scholars Publishing, 2016), p. ix.
- Kristen Ghodsee and Kateřina Lišková, 'Bumbling idiots or evil masterminds? Challenging cold war stereotypes about women, sexuality, and state socialism', Filozofija i društvo, vol. 27, no. 3 (2016), pp. 489-503.
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