Iluminace 2021, 33(3):77-82 | DOI: 10.58193/ilu.1713
Hackers and Coders versus Viewers: The Stakes of Photography in an Era of Image Massification (Tomáš Dvořák - Jussi Parikka, eds., Photography Off the Scale: Technologies and Theories of the Mass Image)
- University of Nova Gorica
Published: September 1, 2021 Show citation
ACS | AIP | APA | ASA | Harvard | Chicago | IEEE | ISO690 | MLA | NLM | Turabian | Vancouver |
Polónyi, E.M. (2021). Hackers and Coders versus Viewers: The Stakes of Photography in an Era of Image Massification (Tomáš Dvořák - Jussi Parikka, eds., Photography Off the Scale: Technologies and Theories of the Mass Image). Iluminace, 33(3), 77-82. doi: 10.58193/ilu.1713
References
- Balsom, Erika. Exhibiting Cinema in Contemporary Art (Amsterdam: University of Amsterdam Press, 2013).
Go to original source...
- Balsom, Erika. After Uniqueness: A History of Film and Video Art in Circulation (New York: Columbia University Press, 2017).
Go to original source...
- Cartwright, Lisa. Screening the Body Tracing Medicine's Visual Culture (Minneapolis: University of Minnesota Press, 1995).
- Elsaesser, Thomas. "Media Archaeology as Symptom: An Epilogue," in Film History as Media Archaeology: Tracking Digital Cinema (Amsterdam: University of Amsterdam Press, 2015), 331-388.
Go to original source...
- Farocki, Harun. "Transversal Influences," Trafic 43, no. 1 (2002), 34-35.
- Fritsch, Katarina, et al. Andreas Gursky (London: Hayward Gallery Publishing, 2018).
- Iles, Chrissie. Into the Light: The Projected Image in American Art, 1964-1977 (New York: Whitney Museum of American Art, 2013).
- Iles, Chrissie. Dreamlands: Immersive Cinema and Art, 1905-2016 (New York and New Haven: Whitney Museum of American Art and Yale University Press, 2016).
- Meyer, Roland. Gesichtserkennung: Vernetzte Bilder, Körperlose Masken (Berlin: Klaus Wagenbach, 2021).
- Paglen, Trevor. "'Is Photography Over,'" fotomuseum Winterthur, March 13, 2014, accessed September 1, 2021, https://www.fotomuseum.ch/de/2014/03/03/is-photography-over/.
- Polonyi, Eszter. "Media Archaeology in Cinema Studies and Art History: A Response to Thomas Elsaesser's Media Archaeology as Symptom," New Review of Film and Television Studies 14, no. 2 (2016), 216-221.
Go to original source...
- Uroskie, Andrew V. Between the Black Box and the White Cube: Expanded Cinema and Postwar Art (Chicago: University of Chicago Press, 2014).
Go to original source...
- Steyerl, Hito. "In Free Fall: A Thought Experiment on Vertical Perspective," E-Flux, no. 24 (2011), accessed September 1, 2021, https://www.e-flux.com/journal/24/67860/in-free-fall-a-thought-experiment-on-vertical-perspective/.
This is an open access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0), which permits use, distribution, and reproduction in any medium, provided the original publication is properly cited. No use, distribution or reproduction is permitted which does not comply with these terms.