Iluminace, 1993 (vol. 5), issue 2
Slovak feature film 1946-1969
Ivan Klimeš
Iluminace 1993, 5(2):109-111 
Review of the anthology on the history of Slovak cinema of the 1950s and 1960s.
Frantisek Cvrk - Hana Slavickova: History of cinemas in the Děčín region
Jiří Rak
Iluminace 1993, 5(2):111-113
A review of a probe into the origins of cinema in the Czech lands by regional historians from North Bohemia.
Joseph Goebbels: Diaries 1938
Pavel Zeman
Iluminace 1993, 5(2):113-114
A review of the 1938 Czech edition of Joseph Goebbels' diaries.
The Image of the Military Environment in the Cinema of Interwar Czechoslovakia I.-II.
Martin Nechvátal
Iluminace 1993, 5(2):115
Review of the proceedings of a joint conference of military and film historians held in May 1992.
Articles
Intertext Theory and Literary Contexts of Film I.
Petr Málek
Iluminace 1993, 5(2):7-31
The study deals with the newly emerging relations and contacts between literature and film, showing the necessity of modifying the classical model of relations between the two semiotic systems.
The triple context of the Sweet Games of Last Summer
Marie Mravcová
Iluminace 1993, 5(2):33-51
An analysis of Juraj Herz's film based on Maupassant's The Fly Sweet Games of Last Summer in literary and art historical contexts.
From image to view
Petr Král
Iluminace 1993, 5(2):53-68
A study of the relationship between Surrealist painting and film from its beginnings to the present day.
Introduction to Stephen Lowry's article
Petr Mareš
Iluminace 1993, 5(2):69-70
About specialist German film periodicals, and in more detail about the magazine Montage/av and its German-language British contributor Stephen Lowry.
Film - perception - subject: A Theory of the Film Spectator
Stephen Lowry
Iluminace 1993, 5(2):71-82
This article deals with two strands of film theory (neo-formalist, cognitive theory and structuralist-psychoanalytic theory) that bring two distinctly different ways of approaching the film viewer. Translated by Petr Mareš.
The idea of a film archive (About the article by B. Matuszewski)
Jiří Rak
Iluminace 1993, 5(2):83-85
The article is reminiscent of Boleslas Matuszewski's classic essay "The New Historical Source" (1898) from the prehistory of film archiving and traces the maturation of this idea in the Czech environment to the establishment of the film archive in 1943.
New Historical Source (Establishment of the Historical Cinema Depository)
Bolesław Matuszewski
Iluminace 1993, 5(2):87-91
The 1898 article is a call for the creation of a film archive in Paris - the Depository of Historical Cinematography.
Edition
Czechoslovak Interwar Cinema in the Military Historical Archive
Petr Hofman
Iluminace 1993, 5(2):93-108
About the collections and funds of the Military Historical Archive (VHA), which relate to Czechoslovak interwar cinematography. The appendices of the article include, among others, a list of scripts in the VHA collections and an inventory of military and cultural films from the First Republic.