Iluminace, 2000 (vol. 12), issue 3
Articles
"It's Alive!" Giles Deleuze and the Evolution of the Film Image
Karel Thein
Iluminace 2000, 12(3):5-19 
The study is devoted to two volumes by Gilles Deleuze, which deal with the question of the cinematic image and illuminate the direct connection between film and philosophy.
Title As the Other
Helena Bendová, Karla Hyánková
Iluminace 2000, 12(3):21-32
The study defines the aesthetic function of the name, its extra-artistic and normative functioning. The author examines the artistic impact of the title both in general terms (the specificity of its position) and also focuses on the influence of the work on the viewer.
Between Images
Josef Moucha, Karolina Vočadlo
Iluminace 2000, 12(3):33-40
A study of the aesthetic concept of the image in fine art, photography and film. The author demonstrates the creative use of image splitting on the example of an artistic image Homo sapiens from 1981 resembling a multiview based on polyscreen.
Films Which Can See Their Own Seeing
Petr Szczepanik
Iluminace 2000, 12(3):41-63
Analysis of the reflection on the intermediality of technical images and intertextual issues in film. Processes of self-reflexive mirroring using new media.
Immediate History. Videotape Interventions and Narrative Film
Timothy Corrigan
Iluminace 2000, 12(3):65-77
Videotape as a commercial and industrial tool. Artistic video. The incorporation of videotape technology into contemporary narrative film and the impact of videotape on creative expression and narrative film. A brief history of technical textual intervention in narrative film.
Editions and Materials
Eisentein's Cannibalism
Tomáš Glanc
Iluminace 2000, 12(3):99-100
The editorial to the following essay by Sergei Ejzenštejn, Imagination as Mastery, discusses the basic ideas of the text and Ejzenštejn's film work itself.
Imitation As Mastery
Sergej Michajlovič Ejzenštejn, Tomáš Glanc
Iluminace 2000, 12(3):101-105
In his essay, the author starts from the thesis that imitation as the basic principle of artistic creation is the way to control. He proves this initial idea with the magical ideologies of the oldest cultures.
Interviews
Independence in Film
Michal Bregant
Iluminace 2000, 12(3):79-98
Film theorists and publicists have spoken about independence in film: Michelson, Annette; Klawans, Stuart; Peña, Richard; Schamus, James and Turvey, Malcolm. Topics for discussion included the nature of independent film, the factors that predetermine and direct its production and distribution, and its recent evolution.
Horizon
Non-stop. (A few reminiscences over the new film of the same name by Jan Gogola Jr.)
Vít Janeček
Iluminace 2000, 12(3):115-117
Review of the Czech film by Jan Gogola Jr. Nonstop.
Alexander Hammid
Josef Moucha
Iluminace 2000, 12(3):117-119
Review of Jaroslav Anděl's monograph Alexandr Hackenschmied.
New Map of the Empire of Iconic Signs
Peter Michalovič
Iluminace 2000, 12(3):120-125
Review of Ján Bakoš's publication Four Routes of the Methodology of Art History.
The Reader About the Beginnings of Film Genres
Petr Mareš
Iluminace 2000, 12(3):125-127
Review of the Udine Conference Proceedings: La nascita dei generi cinematografici. Atti del V Convegno Internazionale di Studi sul Cinama. The Birth of Film Genres. V International Film Studies Conference. Udine, 26-28 marzo 1998.
Some Technical Remarks
Milan D. Klepikov
Iluminace 2000, 12(3):127-136
A commentary on some controversial points in Giles Deleuze's publication Film 1. Obraz-pohyb.
Double-view
Mycophilia in Bohemia
Miroslav Marcelli
Iluminace 2000, 12(3):107-110
Review of the Czech film Bohemia docta or Labyrinth of the World and Lusthauz Heart (Divine Comedy).
The Reality Contaminated by Karel Vachek
Miroslav Petříček
Iluminace 2000, 12(3):111-113
Review of the Czech film Bohemia docta or Labyrinth of the World and Lusthauz Heart (Divine Comedy).