Iluminace, 2001 (vol. 13), issue 4
Articles
2001: An Abysmal Boredom
Altiero Scicchitano
Iluminace 2001, 13(4):5-16 
An analysis of Stanley Kubrick's 2001: A Space Odyssey.
The Birth of a Muse
Josef Moucha
Iluminace 2001, 13(4):17-26
Reflection on the meaning and history of photography, the way of capturing reality with a photographic device or camera.
"Look How I'm Changing!" Morfing and the Phenomenology of Special Effects
Petr Szczepanik
Iluminace 2001, 13(4):27-36
Development of special effects, interference of digital and film images mainly in science fiction films. Morphing as a computer trick used primarily in feature films, commercials and music videos that digitally simulates the gradual transformation of any shape into any other shape.
Cinematography in the Age of Obscenity
Michal Pacvoň
Iluminace 2001, 13(4):37-39
Review of the publication by Youssef Ishaghpour Cinéma contemporain: de ce côté du miror.
Television. representational: A Rise of the World of Obscenity
Youssef Ishaghpour
Iluminace 2001, 13(4):41-50
The first chapter of Youssef Ishaghpour's Cinéma contemporain: de ce côté du miror presents the critical and theoretical context of the book, which the author then uses to analyse the films and the state of cinema.
Editions and Materials
Czech Silent Films in Paris
Karel Tabery
Iluminace 2001, 13(4):73-99
The article provides a detailed map of Czech films shown in Paris in 1919-1930. The appendix contains quotations from the contemporary press.
Interviews
Jacques Rivette: the Preventer. An Interview between Serge Daney and Jacques Rivette from similar film of Claire Denis
Jacques Rivette, Serge Daney
Iluminace 2001, 13(4):51-63
French critic and columnist Serge Daney interviews Jacques Rivette about his films, characters and work.
Eleven Years After. An Interview with Jacques Rivette about Serge Daney
Sylvie Pierre, Jean-Claude Biette
Iluminace 2001, 13(4):65-72
French director and screenwriter Jacques Rivette talks about critic and columnist Serge Daney.
Horizon
The Influence of the Czech New Wave upon Hungarian Documentaries
Guyla Nemes
Iluminace 2001, 13(4):109-113
An analysis of four periods of influence of the Czech New Wave on Hungarian documentary film between 1960 and 2000.
Reflection on the Music and Film Music
Oliver Bakoš
Iluminace 2001, 13(4):113-118
Review of the publication by Slovak composer Vladimír Godár: Bow and Lyre. Six Views on Musical Poetics.
Films in which the Bicycles are not stolen and the Accident is absent
Pavel Skopal
Iluminace 2001, 13(4):119-122
A review of Kristin Thompson's Storytelling in the New Hollywood. Understanding Classical Narrative technique. The book is dedicated to the analysis of classical narrative technique in Hollywood.
Double-view
No Depth, Only Words on Image Surface
Miroslav Marcelli
Iluminace 2001, 13(4):101-104
An analysis of the American biographical drama Basquiat.
Mind Your Own Fuckin' Business, Man!
Miroslav Petříček
Iluminace 2001, 13(4):105-107
An analysis of the American biographical drama Basquiat.