Iluminace, 2002 (vol. 14), issue 1
Articles
The Eye of Horror
Carol J. Clover
Iluminace 2002, 14(1):5-41 
The motif of the eyes and the gaze in films, especially in the horror genre. The depiction of horror through the use of bulging eyes. The double gaze and the double portrayal of crime: the masculine - aggressive and the reactive feminine gaze of the victim. The relationship between the camera and the viewer. The text is a translation of an abridged version of a chapter from Men, Women, and Chain Saws: Gender in the Modern Horror Film.
Anatomy of Anxiety: Night of the Living Dead
Otto M. Urban
Iluminace 2002, 14(1):43-62
The representation of death and dying in art, especially in film. An analysis of the film Night of the Living Dead - a groundbreaking film in the horror genre.
Max Ophüls and his Bartered Bride
Milan D. Klepikov
Iluminace 2002, 14(1):63-64
The making of Max Oph´ls' film The Bartered Bride and a short review of it - an introduction to the following article: A costly experiment: the film The Bartered Bride.
An Expensive Experiment: The Bartered Bride in Film
Helmut G. Asper
Iluminace 2002, 14(1):65-71
An analysis of Max Ophüls' film The Bartered Bride, its origins and significance.
Cinematograph in Austria and the Bohemian Countries, 1895 -1912 (Part One)
Ivan Klimeš
Iluminace 2002, 14(1):73-88
The beginnings of the history of cinema in the territory of Austria-Hungary with regard to the Czech lands in the years 1895-1912, in terms of the approach of the state. Legal regulations concerning the first productions and emerging cinemas. Granting of cinematographic licences.
Editions and Materials
Film and dream. Film in dream, dream in film (working notes)
František Dryje
Iluminace 2002, 14(1):115-119
The common visual language of dream and film. Film dream - a type of dream plot. The dream motif in film.
Questionnaire - Film in Dream
František Dryje
Iluminace 2002, 14(1):121-126
The text is taken from the samizdat collection Surrealist Groups in Czechoslovakia Sen, which was published in a single copy in 1982. The members of the Surrealist group Martin Stejskal, Jan Švankmajer, Vratislav Effenberger and Karel Baron narrate their dreams that are related to film (e.g. dream as film, dream with a film theme). The texts are arranged and commented by František Dryje.
Interviews
Strange Case of Noël Carroll. A Conversation with the Controversial Film Philosopher
Ray Privett, James Kreul
Iluminace 2002, 14(1):89-113
Interview with film theorist Noël Carroll
Horizon
Virtuality by Vilém Flusser
Josef Moucha
Iluminace 2002, 14(1):135-137
Review of Vilém Flusser's publication Into the Universe of Technical Images.
Introduction into the Contemporary Aesthetics
Oliver Bakoš
Iluminace 2002, 14(1):138-143
Review of Vlastimil Zuska's publication Aesthetics - an introduction to the present of a traditional discipline
There Are No Authentic Early Films
Milan D. Klepikov
Iluminace 2002, 14(1):143-145
Recenze publikace Ursuly von Keitz: Early film and late consequences.
Tenth Muse. Film and the Other Arts
Karel Och
Iluminace 2002, 14(1):146-148
Recenze publikace Leonarda Quaresimi in Laury Vichiové: The Tenth Muse. Cinema and the other arts.
Double-view
Journey into the Interpretative Space
Mária Ferenčuhová
Iluminace 2002, 14(1):127-130
A review and analysis of Marguerite Duras' short film Negative Hands.
Ineptitude if the Desire
Helena Bendová
Iluminace 2002, 14(1):131-133
A review and analysis of Marguerite Duras' short film Negative Hands.