Iluminace, 2002 (vol. 14), issue 2
Articles
Image Among Images
Joachim Paech
Iluminace 2002, 14(2):5-16 
Definition of the so-called inter-image as the area outside the image and the area between the images. Reflections on finding a historical and systematic place for the in-between image. The in-between image and the in-between space in painting, photography and film.
Right Time for a Right Death (Bresson)
Milan D. Klepikov
Iluminace 2002, 14(2):17-30
Analysis and characterization of Robert Bresson's work.
"Extase" by Machatý. The Historiy of the Film's Origin and Certain Presentation Aspects
Jiří Horníček
Iluminace 2002, 14(2):31-44
Based on archival documents and contemporary newspaper reports, the author reconstructs the history of the creation and early existence of Extase in order to present it as a product of the cinema industry and an object of the film trade.
Cinematograph in Austria and the Bohemian Countries, 1895 -1912 (Part Two)
Ivan Klimeš
Iluminace 2002, 14(2):45-64
The relationship of the Austrian state to cinema from the legal point of view in the years 1895-1912 with a focus on the Czech lands. Security regulations and principles of censorship supervision at that time. Number of cinemas and population per 1 cinema in Austria, Czech lands and Prague.
Editions and Materials
Scenic Film - The Nature of the Subject. E. F. Burian and "May" in the Theater D 35 and D 36: Two version of a Scenic Film (Genesis and Reconstruction)
Eva Strusková
Iluminace 2002, 14(2):65-81
Reconstruction and analysis of Burian's staging of Mácha's May in the theatre D 35 and D 36 using a stage film created by Jiří Lehovec and later Čeněk Zahradníček. The use of film as a montage element, a detail related to the actor's action and to complete the mood.
Jiří Lehovec remembers
Jiří Lehovec
Iluminace 2002, 14(2):83-95
Recollections of Jiří Lehovec on his collaboration with E. F. Burian and on the circumstances of the creation and filming of the stage film for the production of Mácha's May in D 35 theatre. Information about the reconstruction of the performance and the model.
May in D 35 - The Model
Jiří Lehovec
Iluminace 2002, 14(2):97-131
The material Máj v D 35 - mock-up consists of three parts: a reproduction of Lehovec's mock-up of the script from 1995, a reproduction of Lehovec's two-page manuscript with a partial sequence of film footage of the theatre performance of Máj v D 35 and a reproduction of Jiří Lehovec's six-page manuscript from the 1960s.
Horizon
Collate: New Dimension of the Cinematographical Research
Tomáš Lachman
Iluminace 2002, 14(2):141-145
Information about the Collate digital project, which aims to create a large-scale virtual system supporting the collaboration of experts who analyse, index and annotate digitised archival documents. Three film archives are collaborating on the project: the Deutsches Filminstitut (DIF), the Filmarchiv Austria (FAA) and the National Film Archive (NFA).
Marcelli's Dialogue with Barthes
Oliver Bakoš
Iluminace 2002, 14(2):151-156
Review of the publication by Slovak philosopher Miroslav Marcelli: Príkald Barthes.
Double-view
Silent Film, Deaf Viewers, and Music
Mária Ferenčuhová
Iluminace 2002, 14(2):133-135
An analysis of the 1928 American silent film Land of the Eternal Cyclone.
Classical and Modern
Helena Bendová
Iluminace 2002, 14(2):137-140
An analysis of the 1928 American silent film Land of the Eternal Cyclone.
Appendix
Eroticon
Tereza Dvořáková
Iluminace 2002, 14(2):163-166
Technical data, content characteristics, analysis and bibliography of the film Erotikon.
From Saturday to Sunday
Jiří Horníček
Iluminace 2002, 14(2):167-170
Technical data, content characteristics, analysis and bibliography of the film From Saturday to Sunday.
A detailed biography and analysis of the work of director, producer, screenwriter and actor Gustav Machatý.
Jiří Horníček
Iluminace 2002, 14(2):171-175
A detailed biography and analysis of the work of director, producer, screenwriter and actor Gustav Machatý.