Iluminace, 2002 (vol. 14), issue 3
Articles
Sublime in Cinema
Cynthia A. Freeland
Iluminace 2002, 14(3):5-21 
Characteristics of the concept of sublimity in film and its basic features. Sublimity from a philosophical point of view. The influence of sublimity in film on the perception of the audience and their emotional experience. Examples of reflexivity of emotions when watching specific titles or film scenes.
German Hitchcock
Milan D. Klepikov
Iluminace 2002, 14(3):23-29
A. Hitchcock's work in Germany in the 1920s, where he worked as a chief decorator and later as a director. Works he participated in Germany and their analysis.
Film Beyond the Horizon
Jiří Cieslar
Iluminace 2002, 14(3):31-50
An analysis of Michelangelo Antonioni's film Eclipse and the influence and impact on his later work.
Richard Lester's Verbal Craftsmanship
Petr Mareš
Iluminace 2002, 14(3):51-61
An analysis of Richard Lester's film Fortel, and how to get it in the context of his other work.
Working-class Ruling Against František Čáp
Jiří Knapík
Iluminace 2002, 14(3):63-81
A study focusing on the work of director František Čap and the ban on his work after 1948. Official documents related to the ban are included as appendices.
Editions and Materials
Lubomír Linhart's Speach from 1936
Josef Moucha
Iluminace 2002, 14(3):107-119
Lubomír Linhart's opening speech for the International Exhibition of Photographs, delivered at the Mánes in Prague on 6 March 1936, with an introduction explaining the contemporary situation in the field of Czech photography and film of the 1930s in the political context and the preparations for the exhibition.
Interviews
Film Is a Special Efect. An Interview with Sean Cubitt
Petr Szczepanik, Jakub Kučera
Iluminace 2002, 14(3):83-105
An interview with British video, film and digital media theorist Sean Cubitt about the position of film in the current era of new media, digital film and special effects.
Horizon
Love and Breath of Death. The Dance and Corrida in New Film of Pedro Almodóvar
Karel Thein
Iluminace 2002, 14(3):129-130
An analysis of Pedro Almodóvar's film Talk to Her.
History of Perverse Spectator
Pavel Skopal
Iluminace 2002, 14(3):131-134
A review of a publication by American film theorist Janet Staiger: Perverse Spectators: the Practices of Film Reception.
Double-view
Images in Images and the Images which copy
Mária Ferenčuhová
Iluminace 2002, 14(3):121-123
An analysis of the American film directed by H. C. Potter's Hellzapoppin as a representative of a type of genre film about film.
Game of the Mistake and the Mistake of the Game
Helena Bendová
Iluminace 2002, 14(3):125-127
Analysis of the famous American crazy comedy Hellzapoppin