Iluminace, 2002 (vol. 14), issue 4
Articles
Reusable Packing. Generic Products and the Recycling Proces
Rick Altman
Iluminace 2002, 14(4):5-40 
The study is devoted to genres and subgenres in the history of culture with a focus on film. The evolution and shift in the designation of each genre and the emergence of new terms. Differences between genres and their overlap.
To See the Script, To Write in Images. Notes on the intermediality of Godard's Scénario du film Passion and Passion
Petr Szczepanik
Iluminace 2002, 14(4):41-56
An analysis of Godard's "video screenplay" The screenplay for the film Passion, which not only precedes, but also accompanies and reflects Godard's film Passion through audiovisual concepts and combinations.
Lars von Trier, Rhytm (Element of Crime, Epidemic, Europe)
Slavena Pavlásková
Iluminace 2002, 14(4):57-64
Analysis of Lars von Trier's work with a focus on the means of expression
Marc Vernet's Figures of Absence
Helena Bendová
Iluminace 2002, 14(4):65-67
The introduction to the translation of the first chapter of the French film theorist Marc Venet's book on looking into the camera introduces the author and briefly discusses the content of the excerpt that follows.
Look to the Camera
Marc Vernet
Iluminace 2002, 14(4):69-84
A translation of the first chapter of the French theorist Marc Vernet's book Figures de l'absence: de l'invisible au cinéma on looking into the camera.
Editions and Materials
German Agreement about the Future of Protectorate Cinematography
Tereza Dvořáková
Iluminace 2002, 14(4):101-106
Commentary on the origin and content of the agreement on the future regulation of film matters in the Protectorate of Bohemia and Moravia of 17 July 1942.
German Reich-Protectorate Agreement about the Cinematographic Affairs (The Correspondence)
bez autora
Iluminace 2002, 14(4):107-118
Correspondence of State Secretary L. Gutterer, Reich Protector K. Dalueg and Minister J. Goebbels concerning the Reich-Protectorate agreement on film matters of June-August 1942. Draft text of the agreement.
Interviews
Inter-Pictures by Raymond Bellour
Petr Szczepanik
Iluminace 2002, 14(4):85-90
The introduction to the interview with the French theorist and critic Raymond Bellour introduces us to his works, main ideas and opinions and is accompanied by a bibliography of his main works.
Challenging Cinema. An Interview with Raymond Bellour
Anette W. Balkema, Henk Slager
Iluminace 2002, 14(4):91-99
Interview with French film critic and theorist Raymond Bellour
Horizon
Virilio's machine of Vision
Oliver Bakoš
Iluminace 2002, 14(4):127-131
Review of Paul Virilio's publication The Machine of Seeing.
To Write A History of Application of Film Genres
Pavel Skopal
Iluminace 2002, 14(4):132-136
A review of Rick Altman's publication Film/Genre on film genres and their overlap.
Double-view
Acclaim of the Montage
Mária Ferenčuhová
Iluminace 2002, 14(4):119-122
An analysis of Orson Welles' film essay F for Fake.
Truth of the Fiction
Helena Bendová
Iluminace 2002, 14(4):123-125
An analysis of Orson Welles' film F for Fake.