Iluminace, 2003 (vol. 15), issue 4
Articles
Picto-film
François Jost
Iluminace 2003, 15(4):5-15 
A study and analysis of the relationship between cinema and painting and their specificity.
Form and Deformation, the Expression and Expressionism
Jacques Aumont
Iluminace 2003, 15(4):17-30
A study and analysis of the relationship between cinema and painting with a focus on expressionism.
Décadrages
Pascal Bonitzer
Iluminace 2003, 15(4):31-34
The importance of perspective and the effect of "reflection" in film and painting.
(In)visible Layers of the Film Image. The Storyboard, DVD and the Exhibitionistic Rhetoric of Hollywood Cinema
Pavel Skopal
Iluminace 2003, 15(4):35-49
The storyboard as a starting point from which we can analyse general phenomena in terms of the medium (DVD), the production process and the film's promotional strategy. The DVD medium is not only offered as an alternative to the cinema, but also as an "editing table" or a film textbook. The different types and functions of storyboard marketing on DVD and specific examples on contemporary Hollywood productions.
Labyrinthic Man Roland Barthes and the Quest for Ariadne
Peter Michalovič
Iluminace 2003, 15(4):51-66
The author discusses Roland Barthes' article The Third Sense and its author. The text was published in 1970 and is devoted to the basics of semiology.
Distraction as the Precondition of Concetration. On the Problem of Reception in Walter Benjamin
Tomáš Dvořák
Iluminace 2003, 15(4):67-84
The essay is devoted to some of the problems concerning the relationship between the media and their audience. It is based on Walter Benjamin's study The Work of Art in the Age of its Technical Reproducibility and some of his other texts.
Entry of "Moving Images" into the Galery
Lenka Dolanová
Iluminace 2003, 15(4):85-100
The penetration of real movement into the field of fine art and avant-garde experiments in the years 1920-1969. Video installation as a fusion of film and visual art. The development and contemporary form of the fusion of film (video) with visual arts.
Editions and Materials
Arne Hošek and Cinema
Eva Strusková
Iluminace 2003, 15(4):117-131
The introduction to the following study, Notes on the Aesthetics of Film by architect, scholar-synesthetician and author of musicalist paintings Arne Hošek, introduces the reader to Hošek's life and work with a focus on film. The main ideas of Hošek's essay Notes on the Aesthetics of Film.
Remarks on Film Aesthetics
Arne Hošek
Iluminace 2003, 15(4):133-139
The study explores the basic issues of the film medium, its relationship to theatre and technology, notes the elements of filmmaking and defines the possibilities of the relation between moving images and sound.
Interviews
Painting and the Cinema. An Interview with Pascal Bonitzer
Helena Bendová, Vít Janeček
Iluminace 2003, 15(4):101-106
French director, screenwriter, actor, film theorist and publicist Pascal Bonitzer talks about the relationship between film and painting.
Painting, Cinema and Movement of Imagination. Rudolf and Fily interview with Miroslav Petříček with the participation of Peter Michalovič, Martin Kaňuch and Petr Szczepanik
Rudolf Fila, Peter Michalovič, Martin Kaňuch, Petr Szczepanik
Iluminace 2003, 15(4):107-116
Painter Rudolf Fila and philosopher Miroslav Petříček talk about the relationship between painting and film.
Horizon
Story of One Life
Peter Michalovič
Iluminace 2003, 15(4):149-152
Review of the publication by Václav Macek: Štefan Uher 1930-1993, published by the Slovak Film Institute.
Double-view
Full-length Debut As a Material for Study
Mária Ferenčuhová
Iluminace 2003, 15(4):141-143
Review of Peter Mark's film Love from Above.
Love for Above - A Distant Film
Helena Bendová
Iluminace 2003, 15(4):145-148
Review of Petr Marek's poetic film Love from Above.