Iluminace, 2019 (vol. 31), issue 1
Film Archives and Sharing

Film Archives and Sharing

Matěj Strnad

Iluminace 2019, 31(1):25-26  

Tracing Past Exchanges between European and South American Cinematheques. A Key to Understanding the Impact of Sharing

Beatriz Tadeo Fuica

Iluminace 2019, 31(1):27-43 | DOI: 10.58193/ilu.1603  

The aim of this article is to contribute to uncovering and analyzing film exchanges between the French cinematheque and the cinematheques in Buenos Aires (Argentina) and Montevideo (Uruguay) in the aftermath of World War II. In addition to providing a brief history of the creation of the South American institutions, this article studies specific titles that travelled between these three countries. On the one hand, it explores how films that arrived from the south allowed for the recovery of titles thought to be lost and contributed to the programs of the French cinematheque. On the other hand, it examines how the selection that was sent from the north...

Sharing Knowledge between University and Cinémathèque. The Autant-Lara Personal Archive for Research Projects

Alain Boillat, Frédéric Maire

Iluminace 2019, 31(1):45-57 | DOI: 10.58193/ilu.1604  

This paper discusses the modalities of collaboration between the Cinema Department of the University of Lausanne and the Cinémathèque suisse in three fields of activity: academic education, research (developed by researchers in the context of exchanges with archivists) and scientific and cultural mediation (with centralised management). In the autumn of 2009, the two Vaud institutions set a shared goal on the basis of a specific inventory of intensifying their collaboration by encouraging research on the vast collections, and, in that way, valorising them nationally and internationally. Currently seven research projects have already been financed...

Professional vs. Fan Cultural Criticism. Qualitative Analysis of Semantics and Normativity in Evaluation of Films

Pavel Zahrádka

Iluminace 2019, 31(1):5-23 | DOI: 10.58193/ilu.1601  

The article deals with the reconstruction and comparison of language games played by professional film critics and film fans evaluating film works. As part of this reconstruction, I focus on a pragmalinguistic analysis of semantics and normativity of evaluative judgments, which is methodically based on the analysis of relevant written reviews and semi-structured interviews with reviewers. My research shows that professional film critics and fans play essentially the same language game of the art lover, in which evaluative judgements rely on the speaker's personal taste. The most striking difference between the language games of both types of respondents...

Active Archive. An Interview with Michael Loebenstein

Marie Barešová

Iluminace 2019, 31(1):59-63  

We Never Took Deconstruction Seriously Enough (On Affects, Formalism, and Film Theory). An Interview with Eugenie Brinkema

Jiří Anger, Tomáš Jirsa

Iluminace 2019, 31(1):65-85  

The Complicated Journey of Film Archiving (Jan Trnka: Český Filmový archiv 1943-1993. Institucionální vývoj a problémy praxe)

Petr Bednařík

Iluminace 2019, 31(1):112-115  

Kaleidoscopic History of Photography by a Doyen of Operative Photography (Nadar: Když jsem byl fotografem)

Martin Charvát

Iluminace 2019, 31(1):116-119  

We Will Never Have Perfect Data. An Interview with Thelma Ross

Ladislav Cubr, Matěj Strnad

Iluminace 2019, 31(1):87-90  

Satan's Best Ceremony: The Identification of Three Films by Jan Kříženecký

Jaroslav Lopour

Iluminace 2019, 31(1):91-103 | DOI: 10.58193/ilu.1608  

The Digitization of Jan Kříženecký's Films

Jeanne Pommeau, Jiří Anger

Iluminace 2019, 31(1):104-107 | DOI: 10.58193/ilu.1609  

Vláčil František (1924-1999)

Petr Hasan

Iluminace 2019, 31(1):108-111 | DOI: 10.58193/ilu.1610  

Response to the text "Patchwork" by Václav Macek

Martin Palúch

Iluminace 2019, 31(1):120-126  

Share That Knowledge! Finding Strategies for Passing on Knowledge Across Generations of Archivists

Nadja Šičarov, Janneke van Dalen

Iluminace 2019, 31(1):127-132 | DOI: 10.58193/ilu.1614  

New Acquisitions of the NFA Library

Iluminace 2019, 31(1):133-135