Iluminace - Nejnovější články

Traumatic Landscapes from Above: Images of Colonization and Violence in the Sea of PlasticČlánky k tématu

Traumatic Landscapes from Above: Images of Colonization and Violence in the Sea of Plastic

Miguel Fernández Labayen, Loreto García Saiz

Iluminace 2023, 35(2):9-30 | DOI: 10.58193/ilu.1755  

The so-called “Sea of Plastic” in Almeria (southern Spain) is the largest concentration of plastic greenhouses in the world. Because of its monumentalism and “accidental aesthetics” (Davis, 2015), this geographic region has been extensively depicted from above by aircrafts, satellites, and drones from the 1950s to the present. The purpose of this paper is threefold: first, it offers a historical account of these images from above (from the ones obtained during the Francoist period for geopolitical purposes to those taken by local farmers today) in order to understand its colonial condition and legacy; second, it explores the...

Diffractive Way of Thinking and the Possibilities of Capturing Ecological Trauma in Tomonari Nishikawa’s sound of a million insects, light of a thousand stars (2014)Články k tématu

Diffractive Way of Thinking and the Possibilities of Capturing Ecological Trauma in Tomonari Nishikawa’s sound of a million insects, light of a thousand stars (2014)

Bori Máté

Iluminace 2023, 35(2):73-94 | DOI: 10.58193/ilu.1761  

sound of a million insects, light of a thousand stars (2014) is a camera-less two-minute-long film directed by the Japanese experimental filmmaker Tomonari Nishikawa. He buried a 100-foot-long 35mm negative film under fallen leaves alongside a country road close to the Fukushima Daiichi Nuclear Power Station where it was exposed to the possible remains of radioactive materials. The film is a document of an intrusive past. It becomes an (eco) traumatic landscape and a local manifestation of a hyperobject called radiation. This article will employ the concept of diffraction as a new materialist concept whose qualities are quite underexplored in...

Skrze ambiguitu zachránit celek Jan Bierhanzl, Estetika ambiguity (Praha: Nakladatelství Karolinum, 2021).Recenze

To Save the Whole through Ambiguity

Benjamin Slavík

Iluminace 2023, 35(1):110-117 | DOI: 10.58193/ilu.1753  

Recenze na knihu Jana Bierhanzla Estetika ambiguity (2022).

Fenomén Krumbachová: Strůjkyně filmových obrazůRecenze

Ester Krumbachová's Phenomenon: Creator of Film Images

Jiří Voráč

Iluminace 2023, 35(1):103-109 | DOI: 10.58193/ilu.1751  

Recenze knih a výstavních projektů o Ester Krumbachové.

Ghosts On and Off Screen. An Interview with Helen WheatleyRozhovory

Klára Feikusová

Iluminace 2023, 35(1):91-102 | DOI: 10.58193/ilu.1750  

In the interview, Professor Helen Wheatley discusses her past and current research with an emphasis on her forthcoming book, Television/Death, and  research project Ghost Town: Civic Television and the Haunting of Coventry.

Pandemic Television
Television Industries in the midst of COVID-19Editorial

Pandemic Television
Television Industries in the midst of COVID-19

Jana Jedličková

Iluminace 2023, 35(1):5-6 | DOI: 10.58193/ilu.1754  

Editorial zvláštního čísla věnovaného vlivu pandemie covid-19 na televizní průmysl.

Framing pandemic news. Empirical research on Covid-19 representation in the Italian TV newsČlánky k tématu

Andrea Miconi, Simona Pezzano, Elisabetta Risi

Iluminace 2023, 35(1):65-90 | DOI: 10.58193/ilu.1752  

The article contributes to the vast literature on the media representation of Covid-19, by exposing the results of a quantitative and qualitative analysis of Covid-19 media coverage in Italy, run on the full archive of prime-time TV news – Tg1, Tg2, Tg3, Tg4, Tg5, Studio Aperto, Tg La7 – between February 28, 2020, and February 27, 2021. All verbal contents of TV news have been analyzed, based on a sample of 2,555 news shows and 14,304 news stories related to the epidemic, for a total of 1.6 million words. By applying the media framing models, we realized a two-step work: a mapping of TV coverage across one year; and an in-depth investigation...

Fictionalizing the COVID-19 pandemic “instantly”. A case study of the German comedy drama Drinnen – Im Internet sind alle gleich

Florian Krauß

Iluminace 2023, 35(1):7-26 | DOI: 10.58193/ilu.1749  

Based on interviews with production members and trade magazine articles, the paper discusses how the German comedy drama Drinnen – Im Internet sind alle gleich (2020) dealt with COVID-19 in its production. The series—whose title translates to “Inside – On the Internet All Are Equal”—is obviously about the pandemic: it tells the story of Charlotte, who is planning to quit her job and leave her marriage when she suddenly has to self-isolate and communicate with others only online. Not only Charlotte’s fictional life but also the show’s real-life production was very much affected by the COVID-19 pandemic....

Spanish TV Fiction in Times of Pandemic. Nuclear and Transversal Stories About COVID-19Články k tématu

Tatiana Hidalgo-Marí, Patricia Palomares-Sánchez

Iluminace 2023, 35(1):27-42 | DOI: 10.58193/ilu.1748  

2020 marked an unprecedented change in the world population, social relationships, and cultural consumption itself. The outbreak of COVID-19 not only distanced people, families, and countries but also had many consequences on how we relate to each other. In this context, television was one of the sources of communication, entertainment, and bonding that resonated the most in times of crisis. This research aims to provide an in-depth study of the Spanish TV and VOD series born in the context of the pandemic to show how the discourse of COVID-19 has gone through the ways of consumption and entertainment and also through the fictional narratives....

#QuedateEnCasa:
How did the Argentine and Spanish TV Industries React to the Outbreak of the Covid Pandemic in 2020?Články k tématu

Concepción Cascajosa Virino, Pablo Mendez Shiff

Iluminace 2023, 35(1):43-64 | DOI: 10.58193/ilu.1747  

In March 2020, when the coronavirus pandemic hit the world, television industries had to rapidly adapt to the circumstances. While a substantial number of people were able to spend more time in front of their TVs, the executives had to make choices: should they tell stories about what was going on or should they try to create escapism? This article compares the responses given to these challenging times by the Argentine and Spanish television industries. Whereas both countries have long-standing cultural and economic ties, they were different in the length of their respective lockdowns, and this had an impact on the televisual answer to the crisis....