Iluminace 2000, 12(3):101-105

Imitation As Mastery

Sergej Michajlovič Ejzenštejn, Tomáš Glanc

In his essay, the author starts from the thesis that imitation as the basic principle of artistic creation is the way to control. He proves this initial idea with the magical ideologies of the oldest cultures.

Keywords: film theory, film aesthetics, directors, philosophy and film, ideology and film

Published: September 1, 2000  Show citation

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Michajlovič Ejzenštejn, S., & Glanc, T. (2000). Imitation As Mastery. Iluminace, 12(3), 101-105
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