Deep-Focus Sound: Citizen Kane and the Radio Aesthetic
This study examines three areas of sound in Orson Welles' Citizen Kane: the particular properties of the soundtrack, understanding the nature of radio sound, and sound conventions in relation to depth-produced images. The results of the investigation lead to new insights concerning the role of sound in the history of the depth-of-field image, the influence of radio on Citizen Kane, and the importance of this work to the development of American film. A description of the soundtrack of the Colorado sequence of Citizen Kane is included as an appendix.
Keywords: sound recording; sound in film; radio and film
Published: September 1, 2006 Show citation
This is an open access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0), which permits use, distribution, and reproduction in any medium, provided the original publication is properly cited. No use, distribution or reproduction is permitted which does not comply with these terms.