Iluminace 2021, 33(4):69-74 | DOI: 10.58193/ilu.1718

The Audiovisual Musique Concrète: Towards the Integrated Soundtrack (Danijela Kuleziĉ-Wilson, Sound Design is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack)

Sara Pinheiro

Published: December 1, 2021  Show citation

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Pinheiro, S. (2021). The Audiovisual Musique Concrète: Towards the Integrated Soundtrack (Danijela Kuleziĉ-Wilson, Sound Design is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack). Iluminace, 33(4), 69-74. doi: 10.58193/ilu.1718
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    References

    1. Chion, Michel. Audio-Vision: Sound on Screen. Second Edition, trans. Claudia Gorbman (New York: Columbia University Press, 2019). Go to original source...
    2. Mera, Miguel. "Materializing Film Music," in The Cambridge Companion to Film Music, eds. Mervyn Cooke and Fiona Ford (Cambridge: Cambridge University Press, 2016), 157-172. Go to original source...
    3. Quinlivan, Davina. "Breath Control: The Sound and Sight of Respiration as Hyperrealist Corporeality in Breaking the Waves," in Realism and the Audiovisual Media, eds. Lúcia Nagib and Cecília Mello (London: Palgrave Macmillan, 2009), 152-163. Go to original source...
    4. Schaeffer, Pierre. In Search of a Concrete Music, trans. John Dack and Christine North (Berkeley: University of California Press, 2013). Go to original source...

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