Iluminace 2004, 16(3):161-176

New German Cinema as (De)construction of History

Blahoslav Hruška

The Oberhausen Manifesto and its Content and Meaning. The Nature and Past of German Postwar History Based on an Analysis of Three Films: The Marriage of Marie Braun by Rainer Werner Fassbinder, The Wrong Movement by Wim Wenders and Alexander Kluge's The Patriot.

Keywords: new German film, film analysis, post-war history

Published: September 1, 2004  Show citation

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Hruška, B. (2004). New German Cinema as (De)construction of History. Iluminace, 16(3), 161-176
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