Iluminace, 2004 (vol. 16), issue 3
Articles
Question of Amateur in the Treble Expanse of Taking and Propagation
Roger Odin
Iluminace 2004, 16(3):5-33 
The theoretical study deals with the specific institutional dimensions of amateur and family film and defines and analyses the family space, amateur space and independent film space and their functioning and relationships.
Economy and Markets of Amateur Film: the Dynamic of Progression
Laurent Creton
Iluminace 2004, 16(3):35-52
The article deals with amateur practices in the cinematographic and audiovisual spheres and manufacturers' strategies in these spheres by analysing the improvement of technical systems over long periods of time.
Hollywood, Home Movies, and Common Sense. Aesthetic Control
Patricia Rodden Zimmermann
Iluminace 2004, 16(3):53-68
The practice of amateur family filmmaking, the most frequent topics, the development of family film from 1950 to the present and the basic points of the theoretical approach to family film.
Performance in Family Film. Some Remarks on Home Movies as Media Practice
Alexandra Schneider
Iluminace 2004, 16(3):69-83
Family film as a media practice. Performance in a family film. Persons in front of the camera and behind the camera. Addressing and media positioning. Gestures as a performative act in a family film.
Family Film in the Hands of Amateur Filmmakers
Jiří Horníček
Iluminace 2004, 16(3):85-98
The text deals with family film in the territory of today's Czech Republic from the inception of cinematography until the mid-1940s. It focuses on the conditions of its existence in connection with the development of cinematographic technology and the emergence of amateur film clubs in the 1930s. It emphasizes the intersection of family and amateur film and it also deals with the work of Brno filmmaker Bedřich Valenta.
Amateur Photographers and Art Photography in the Context of Art and Art Historical Theory (1890–1914)
Petra Trnková
Iluminace 2004, 16(3):99-120
The article deals with the so-called Art Nouveau pictorialism and representatives of amateur art photography from 1890 – 1914.
Album, Atlas, Archives. On Images and their Arrangements
Tomáš Dvořák
Iluminace 2004, 16(3):121-137
Short history of archiving photographs, comparison with classic library collections. Definition of the culture of the book against the culture of the image (i.e. all modern media). First art collections, creation of museums and libraries. Problems with classification of content and its classification. The Atlas Mnemosyne project and its meaning.
Laura Mulvey's Visual Pleasure and Narrative Cinema in the Context of the Poststructuralist Method
Petra Hanáková
Iluminace 2004, 16(3):139-159
The text tries to approximate the essential role of the essay Laura Mulvey's Visual Pleasure and Narrative Cinema for the further development of feminist film theory.
New German Cinema as (De)construction of History
Blahoslav Hruška
Iluminace 2004, 16(3):161-176
The Oberhausen Manifesto and its Content and Meaning. The Nature and Past of German Postwar History Based on an Analysis of Three Films: The Marriage of Marie Braun by Rainer Werner Fassbinder, The Wrong Movement by Wim Wenders and Alexander Kluge's The Patriot.
Editions and Materials
Galery of Amateur Filmmakers
Jiří Horníček
Iluminace 2004, 16(3):227-228
The editorial to the following articles introduces the NFA's project called the Gallery of Amateur Filmmakers, its thematic definition, authors and interviewees, and time frame.
Memories of Antonín Skoták
Jiří Horníček
Iluminace 2004, 16(3):229-234
Autobiography and memoirs of the important Czech amateur filmmaker Antonín Skoták.
Memories of Jan Sichler
Jiří Horníček
Iluminace 2004, 16(3):235-239
Autobiography and memoirs of the important Czech amateur filmmaker Jan Sichler.
Interviews
Archeology of Private Hungary. An Interview with Péter Forgács
János Palotai
Iluminace 2004, 16(3):177-198
An interview with director and archivist Péter Forgács about Hungarian culture and his documentary series Private Hungary.
Stories and Emotions of Family Films. An Interview with Jan Šikl
Jiří Horníček, Petr Szczepanik
Iluminace 2004, 16(3):199-225
An interview with Czech documentary filmmaker Jan Šikl and his biofilmography. Attachment: the director's explications on the project and the first three parts of Soukromé století.
Horizon
Video in the Net of Family Similarities
Tomáš Dvořák
Iluminace 2004, 16(3):253-254
Review of the publication by James M. Moran's There's No Place Like Home Video.
Entries to History of Family and Amateur Cinematography. (Film History - monothematic issue on amateur film)
Jiří Horníček
Iluminace 2004, 16(3):254-257
A review of the content and level of the American film periodical Film History, focusing on its special issue "Small-gauge and amateur film".
Covergency of Media or the Growth of Intimistic Space
Michal Pacvoň
Iluminace 2004, 16(3):257-261
Reflection on the present and future development of individual media and their influence on human life.
Double-view
Czech Dream: the Game as a Form of Political Unconsciousness
Zdeněk Hudec
Iluminace 2004, 16(3):241-244
Analysis of the Czech documentary film Czech Dream.
GIGADIGA and Czech Dream - Effects, Symptoms, Signs
Vít Janeček
Iluminace 2004, 16(3):245-252
An analysis of the Czech documentary film Czech Dream and a reminder of Petr Lorenc's earlier mystification project GIGADIGA.