Iluminace, 1994 (vol. 6), issue 1
Roman Jakobson about the film
Jan Svoboda
Iluminace 1994, 6(1):97-99 
Preface to an interview with linguist and literary scholar Roman Jakobson about the film.
Interview on the Film with Roman Jakobson
Adriano Aprà, Luigi Faccini
Iluminace 1994, 6(1):101-108
An interview with linguist and literary scholar R. Jakobson about his views on film and his 1933 essay "The Decline of Film?".
Rises and Falls: Private and Narrative Sources on the History of Film
Jan Lukeš
Iluminace 1994, 6(1):141-154
Critical commentary on selected book titles from the flood of memoirs and interview-based film literature published after the fall of the communist regime in 1989.
Film and the female perspective
Petr Mareš
Iluminace 1994, 6(1):154-155
Review of the book by young German researcher Sabine Gottgetreu, Der bewegliche Blick: Zum Paradigmawechsel in der feministischen Filmtheorie (The Mobile Gaze: On the Paradigm Shift in Feminist Film Theory), introducing feminist film theories of the 1980s.
Articles
The Film Fate of Jaroslav Havlíček's Novel Works: Post-Dramaturgical Reflections
Marie Mravcová
Iluminace 1994, 6(1):5-45
Analysis of five film adaptations based on Jaroslav Havlíček's drafts: The Third One, Kerosene Lamps, The Curse of the House of Hajn, Helimadoe, Barbora Hlavsová.
Film as a labyrinth: About Orson Welles and a few others
Petr Král
Iluminace 1994, 6(1):47-58
On the labyrinth motif in Orson Welles' films Citizen Kane, The Lady from Shanghai and Mr. Arkadin.
Roland Barthes' Iconophilia
Přemysl Maydl
Iluminace 1994, 6(1):59-60
Introduction to Roland Barthes' study The Third Sense.
The third sense: Notes from the Research of Several Photograms by S. M. Ejzenstein
Roland Barthes
Iluminace 1994, 6(1):61-75
Analysis of photograms from S. M. Ejzenstein's films Ivan the Terrible and The Cruiser Potemkin.
Politics and "moving pictures": the dispute over the importation of American films into Czechoslovakia after World War II
Petr Mareš
Iluminace 1994, 6(1):77-96
A study of the negotiation and renewal of the import of American films to Czechoslovakia after 1945 under the conditions of nationalized cinema.
Editions and Materials
American films and nationalized cinema
Pavel Zeman
Iluminace 1994, 6(1):109-113
Introductory study to the edition of archival documents concerning negotiations on the import of American films to Czechoslovakia after the end of World War II.
Negotiations on the import of American films to Czechoslovakia after World War II
Pavel Zeman
Iluminace 1994, 6(1):115-140
A collection of documents from the central offices of the nationalized film industry, US government agencies, and the estate of Jan Werich concerning the import of American films to Czechoslovakia after World War II.