Iluminace, 2001 (vol. 13), issue 2
Articles
Defining the Moving image
Noël Carroll
Iluminace 2001, 13(2):5-32
This theoretical study analyses the conditions necessary for the creation of moving images, i.e. film.
Color versus Sound or Triumph of Trichromatic Technicolor. A Brief Note on the Rhythm of Film History
Karel Thein
Iluminace 2001, 13(2):33-40
The reflection develops the thesis that the most dramatic turning point in the history of film is not the advent of sound, but one of the phases of the transition to colour in the sense of dichromy and trichromy of the film strip.
Break Point
Milan D. Klepikov
Iluminace 2001, 13(2):41-50
The author returns to the turning points in the history of cinema that, in his opinion, influenced the further development of cinema. These are not only events, but also some filmmakers and their works.
Cinema of Attraction: Early Film, Its Spectator, and the Avant-Garde
Tom Gunning
Iluminace 2001, 13(2):51-57
A reflection on film in its early period and on the beginnings of the avant-garde.
Napoleon According to Abel Gance. Images That Call for Music
Briana Čechová
Iluminace 2001, 13(2):59-79
Analysis of Abel Gance's film Napoleon, information about the making of the film and the restoration process. The portrayal of Napoleon in the film.
Editions and Materials
Under the Sign of the Ox-eye Daisy. Gaumont and Its Branch in Prague
Karel Tabery
Iluminace 2001, 13(2):91-118
Information about the operation of the French company Gaumont in Czechoslovakia in 1919-1934 and the activities of the Prague branch.
Interviews
From Bakehouse to Museum. An Interview with Stefan Drössler
Petr Mareš
Iluminace 2001, 13(2):81-89
An interview with German film historian, restorer, publicist and teacher Stefan Drössler on the occasion of his visit to the LFS in Uherské Hradiště. Drössler talks about the prosperity of German cinemas, his tenure at the Bonn Film Library and the Munich Film Museum.
Horizon
Media Power
Josef Moucha
Iluminace 2001, 13(2):127-130
Reflection on the topic "Media and its influence on human life".
What To Do With Unwanted Loves. An Essay About the Film Loners
Oliver Bakoš
Iluminace 2001, 13(2):130-135
Review of the film Samotáři
Fluctuant Terms. (Seymour Chatman: Coming To Terms. The Rhetoric of Narrative in Fiction and Film)
Helena Bendová
Iluminace 2001, 13(2):136-138
Review of Seymour Chatman's publication, Agreed Terms. The Rhetoric of Narrative in Fiction and Film.
Raster in Space and Time (of the city). (Film Locales 1)
Michal Bregant
Iluminace 2001, 13(2):138-140
Review and analysis of Svatopluk Innemann's film Prague in the Glow of Lights.
Another Castel (Film Locales 2)
Peter Michalovič
Iluminace 2001, 13(2):141-142
Reflection on the use of exteriors in film shooting. In Slovakia, this is for example the Orava Castle. Examples of films that have been shot there.
Karel Vachek: Bohemia Docta or The Labyrinth of the World and the Paradise of the Heart (Divine Comedy) (Laudatio)
Michal Bregant
Iluminace 2001, 13(2):143-144
The paper was presented on the occasion of the annual awards ceremony of the Czech Literary Fund in the Prague Castle Ballroom on 5 June 2001.
Double-view
In the Sign of Bear
Miroslav Marcelli
Iluminace 2001, 13(2):119-122
A review of the American action film Ghost Dog - The Way of the Samurai by director Jim Jarmusch.
Master Sun on the Art of Gangster Story
Miroslav Petříček
Iluminace 2001, 13(2):123-125
A review of the American action film Ghost Dog - The Way of the Samurai by director Jim Jarmusch.