Iluminace, 2003 (vol. 15), issue 3
Articles
Types of the off-screen Space (A Case of Alfred Hitchcock and Marcel Hanoun)
Helena Bendová
Iluminace 2003, 15(3):5-23 
The author distinguishes several types of screens in her paper. For this purpose, she draws on an analysis of two films - Alfred Hitchcock's NORTH BY NORTHWEST and L'AUTOMNE, made in 1985 by Marcel Hanoun. Off-screen space is defined in her text as something that is created in the viewer's imagination based on clues derived from what is (or was) perceptible and audible on the screen. From the exterior, this space "encroaches" on the perceptible space of the frame or is, on the contrary, explicitly evoked, in any case adjacent to it in some way. The relationship between the space-time of the shot and the space-time of the out-of-shot space described...
From Jean Louis Schefer to Jean-Pierre Esquenazi. An Introduction
Helena Bendová
Iluminace 2003, 15(3):25-30
Introduction to the following translations of part of J. L. Schefer's L'homme ordinaire du cinéma (The Ordinary Man of Film) and a chapter from Jean-Pierre Esqenazi's Film, perception et mémoire (Film, Perception and Memory). The article introduces both authors and the themes of their work.
Criminal Life
Jean Louis Schefer
Iluminace 2003, 15(3):31-42
A philosophical reflection on film and cinema from different perspectives.
Mind and Body of the Spectator
Jean-Pierre Esquenazi
Iluminace 2003, 15(3):43-53
The author discusses the relationship between the film and its viewer and the effect of this bond.
Silence, Gestures, Metaphors and Stories
Peter Michalovič, Vlastimil Zuska
Iluminace 2003, 15(3):55-70
The authors examine the early work of Juraj Jakubisko and try to find the germs of his creative methods as they manifested themselves in his later works. Jakubisko's silent film work recapitulates the world history of cinema by revealing the essence of some of its historical phases (silent film, surrealism, etc.). In particular, he uses the play with the audience's expectations and intersections - of the visual and verbal planes. In Jakubisko's EVERY DAY HAS A NAME, he analyses the role of rhythm and the formation of the complex image, which is most significant in this work, especially in relation to metaphors over verbal and visual layers of meaning....
Central European Research of the Film Censorship
Tomáš Lachman
Iluminace 2003, 15(3):71-72
A brief introduction to the issue of film censorship since the beginning of the last century. The content of the documents forming the archival fund stored in the depository of the State Central Archive in Prague. Two specialised European projects dealing with the subject of film censorship. The article is an introduction to the following study by Thomas Ballhausen, Silenced Muses.
Silent Muses. Film Censorship in Austria from the Beginning to 1938
Thomas Ballhausen
Iluminace 2003, 15(3):73-80
A study of the historical development of film censorship in Austria up to 1938, taking into account the latest research.
Editions and Materials
Reality of the Czechoslovak Cinematography after February 1948
Ivan Klimeš
Iluminace 2003, 15(3):97-98
An introduction to the state of Czechoslovak cinema after February 1948, as an introduction to the documentary Reorganize Film Production after February 1948, which follows.
Reorganization of the Film Production after February 1948
bez autora
Iluminace 2003, 15(3):99-104
The report on the reorganisation of film production after 1948 focuses mainly on the area of dramaturgy and organisational support for the production of feature films.
Interviews
Sound Doctrine. An Interview with Walter Murch
Michael Jarrett
Iluminace 2003, 15(3):81-96
An interview with American sound designer and editor Walter Murch about his films, music and sounds.
Horizon
About Austria, Films and History
Petr Mareš
Iluminace 2003, 15(3):113-117
Reviews of publications by film scholar Elizabeth Büttner and theatre scholar Christian Dewald: Anschluss an Morgen. Eine Geschichte des österreichischen Films von den Anfängen bis 1945 a Anschluss an Morgen. Eine Geschichte des österreichischen Films von 1945 bis zur Gegenwart.
Dal Segno - Repeat from the Sing
Marian Zervan
Iluminace 2003, 15(3):117-119
Review of Peter Michalovic's publication Dal Segno al Fine. Novel forms of Eros.
Double-view
Historical Home Movie
Mária Ferenčuhová
Iluminace 2003, 15(3):105-108
A review and analysis of Petr Kerekes' documentary 66 Seasons.
Memory of the Swimming-pool
Helena Bendová
Iluminace 2003, 15(3):109-111
A review and analysis of Petr Kerekes' documentary 66 Seasons.