Iluminace, 2010 (vol. 22), issue 3
Editorial
The Vault Movie
Jindřiška Bláhová
Iluminace 2010, 22(3):5-7 
The editorial to the thematic block of articles devoted to Czechoslovak vault films from the 1960s defines the term vault film and the issue and characterizes the individual contributions.
Theme Articles
The vault and his children. Notes on banned films in socialist cinemas
Jaromír Blažejovský
Iluminace 2010, 22(3):8-27
The author focuses on the banning of films within socialist cinema as a systemic mechanism. He divides the vault cases into primary (Larks on a String, The Ear) and secondary (Spur der Steine, Maravillas, When the Cat Comes). Rehabilitation of the primary vault film. Banning films in the Soviet Union, Czechoslovakia, GDR, China, Yugoslavia, Poland, Bulgaria, Romania, Hungary and Cuba. Typology of bans. Motives and mechanisms. The release of vault films in the perestroika and post-1989 periods.
Reflection on the Supply of Czech Films in the Era of Nationalized Cinema
Aleš Danielis
Iluminace 2010, 22(3):29-61
The author deals with the development of distribution practice in nationalized Czechoslovak cinema and the changes in the programme offer depending on political and economic changes, with special attention to banned films.
Trial with the Baader-Meinhof Group. The Case of the Film Early Works, 1968-1970
Bogdan Tirnanić
Iluminace 2010, 22(3):63-82
This chapter from a book by leading Serbian journalist and film critic Bogdan Tirnanic is a case study of the banned film Early Works and extends the view of socialist cinema by probing the specific censorship practices in Yugoslavia.
Out of the Vault: Re-evaluating and Releasing Banned Czechoslovak Films of the 1960s
Jindřiška Bláhová
Iluminace 2010, 22(3):83-113
The text deals with the reassessment and release of Czechoslovak films banned during the normalization. It focuses mainly on the years 1988 and 1989, on the initiatives of the Union of Dramatic Artists (SČDU) and on the work of the union's evaluation committee in the context of the tendency to re-evaluate films throughout the 1980s. The article offers a new perspective on vaulted - banned films as a focal point into which the different agendas of the various Czechoslovak state cultural institutions were connected and clashed.
Editions and Materials
Games with the regime: revisiting the banned films of the 1960s and the role of cultural intelligence
Jindřiška Bláhová
Iluminace 2010, 22(3):114-118
Introduction to the following selection of documentaries by the Cultural Commission of the Social Democratic Union of Czechoslovakia, which in the period from March to June 1989 evaluated some banned films from the artistic and ideological point of view, e.g. The text traces the activities of this commission and the composition and content of the following materials.
Completed external questionnaires and other evaluation materials
anketa - kolektiv autorů
Iluminace 2010, 22(3):120-156
A selection of documents from the evaluation committee of the Union of Czech Dramatic Artists illustrates the process of reassessing the vault's banned films in 1989 and shows how members of the cultural intelligentsia communicated with the regime.
Horizon
A parallel history of Yugoslav film (Bogdan Tirnanic: Crni talas)
Jaromír Blažejovský
Iluminace 2010, 22(3):162-167
Review of Bogdan Tirnanic's publication: Crni talas.
Something Big This Way Comes (Sheldon Hall - Steve Neale, Epics, Spectacles and Blockbusters: A Hollywood History)
Richard Nowell
Iluminace 2010, 22(3):168-171
Review of the British theoretical publication Epics, Spectacles and Blockbusters : A Hollywood History.
Miloš Forman for real, or "The mystery of `Forman's language' so difficult to grasp" (Stanislava Přádná, Miloš Forman. Filmmaker between two continents)
Jiří Voráč
Iluminace 2010, 22(3):172-179
Review of the publication by Stanislava Přádná: Miloš Forman. Filmmaker between two continents.
A (mostly) biological image of Peckinpah's worlds (Zdeněk Hudec, Sam Peckinpah a jeho filmy: biologický obraz světa)
Radomír D. Kokeš
Iluminace 2010, 22(3):180-184
Review of the publication by Zdeněk Hudec: Sam Peckinpah and his films: a biological image of the world.
Ad Fontes
Veselý Bohumil (/1893/ 1909-1971)
Jindřich Schwippel
Iluminace 2010, 22(3):157-161
The life story of Bohumil Veselý, the creation and content of his private collection, his cooperation with the NFA.
Appendix
Czech National Star: Jiřina Štěpničková
Šárka Gmiterková
Iluminace 2010, 22(3):185-190
Content and structure of the thesis Czech National Star: Jiřina Štěpničková.
Gay themes and the genre of romantic comedy in North American cinema from the 1990s to the present
Eva Chlumská
Iluminace 2010, 22(3):191-194
Aim, structure and methodology of the thesis: Gay themes and the genre of romantic comedy in North American cinema from the 1990s to the present.