Iluminace, 2020 (roč. 32), číslo 3

Česká kinematografie jako regionální poetika. Otázky kontinuity a počátky studiové produkce

Czech Cinema as a Regional Poetics. Questions of Continuity and the Beginnings of Studio Production

Radomír D. Kokeš

Iluminace 2020, 32(3):5-40 | DOI: 10.58193/ilu.1672  

At the most general level, this article wanted to answer the question of what it requires to write an aesthetic history of Czech cinema. As such, it tried to sketch possibilities of a research project on a poetics of Czech cinema illustrated through an example of Czech cinema to the period around the opening of Barrandov studios in 1933. The poetics of cinema explores construction principles of film work regarding (a) their relationship to individual works and groups of works, and (b) their relationship to particular empirical conditions of the creation of these works in synchronic and diachronic perspectives. The article argued in accordance with...

Klubisté sobě. Funkcionáři Filmového klubu v Uherském Brodě v letech 1976-1989

Club Members for Themselves. Film Club Functionaries in Uherský Brod, 1976-1989

Barbora Podškubková, Pavel Skopal

Iluminace 2020, 32(3):41-59 | DOI: 10.58193/ilu.1673  

Film clubs created a specific cultural environment in Czechoslovakia of the so-called Normalization period of the 1970s and 1980s. Thanks to the extensive infrastructure of film clubs and grass-roots activity in their establishing and maintenance, areas outside large cities were also covered. The case study of the Uherský Brod film club made it possible to identify the functions that the clubs could perform for the functionaries who ran them in such a small city. It thus seeks to contribute to a more comprehensive understanding of the Normalization period as a specific social world characterized by a very unequal distribution of power, but at the same...

Object specific cinema. Stylové prvky videomappingu v tvorbě skupiny Macula

Object Specific Cinema. Stylistic Elements of Videomapping in the Work of the Macula Group

Ondřej Bezucha

Iluminace 2020, 32(3):61-81 | DOI: 10.58193/ilu.1674  

Projection mapping is a visual process where a moving picture is projected onto the surface of real objects in a creative manner. This phenomenon started to appear widely in galleries and music clubs about ten years ago, but it has grown very quickly. Today's large-scale projection mappings are a common part of various brand campaigns and city celebrations.The main objective of this study is to describe how the projection mapping style works. It considers four basic elements of projection mapping - moving imagery, sound, projected objects, and surrounding space. However, it focuses primarily on relations between moving imagery and projected objects....

Didaktika skladby a řádu. Vývoj výuky teorie střihové skladby na FAMU

Didactics of Composition and Order. Development of Teaching Editing Theory at FAMU

Michal Böhm

Iluminace 2020, 32(3):83-115 | DOI: 10.58193/ilu.1675  

This study aims to research the progression of film editing theory education at the Department of Editing at the Film and TV School of the Academy of Performing Arts (FAMU) in Prague from 1964 to the present. The study focuses on the didactics of editing theory - which concerns the analysis of the textbooks, syllabus of study and practical education - and through it uncovers the intellectual transformation of the editing theory itself. This transformation occurred in a historical context and was deeply influenced by the institutional development of the Department of Editing. Thus, the secondary intention of this study is to briefly summarize the history...

Pod ochranou filmového průmyslu. Totální válečné nasazení v kultuře a kinematografii za protektorátu

Under the Protection of the Film Industry. Total Military Deployment in Culture and Cinematography During the Protectorate

Ivan Klimeš

Iluminace 2020, 32(3):117-138 | DOI: 10.58193/ilu.1676  

Totální válečné nasazení v české kinematografii 1944

Total Military Deployment in Czech Cinema 1944

Ivan Klimeš

Iluminace 2020, 32(3):139-168 | DOI: 10.58193/ilu.1677  

Československá televize pro zahraniční diváky a čtenáře (Martin Štoll: Television and Totalitarianism in Czechoslovakia. From the First Democratic Republic to the Fall of Communism)

Czechoslovak Television for Foreign Viewers and Readers (Martin Štoll: Television and Totalitarianism in Czechoslovakia. From the First Democratic Republic to the Fall of Communism)

Jana Čížkovská

Iluminace 2020, 32(3):169-172 | DOI: 10.58193/ilu.1678  

Parikkův zelený obrat v mediální teorii: záslužná intence, problematická filozofie (Jussi Parikka: Geologie médií)

Parikk's Green Turn in Media Theory: Meritorious Intention, Problematic Philosophy (Jussi Parikka: Geologie médií)

Jakub Ferenc

Iluminace 2020, 32(3):173-181 | DOI: 10.58193/ilu.1679  

"Bodies in Transition": Towards Eastern European and Russian Corporeality in Film (E. Mazierska, M. Mroz, and E. Ostrowska (eds.): The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure)

Taida Kusturica

Iluminace 2020, 32(3):182-185 | DOI: 10.58193/ilu.1680