Iluminace 2018, 30(4):130-134

The Beginning of the Film as a Challenge for Analysis (Annette Insdorf, Cinematic Overtures: How to Read Opening Scenes)

Petr Mareš

Published: December 1, 2018  Show citation

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Mareš, P. (2018). The Beginning of the Film as a Challenge for Analysis (Annette Insdorf, Cinematic Overtures: How to Read Opening Scenes). Iluminace, 30(4), 130-134
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    References

    1. Veronica Innocenti - Valentina Re (eds.), Limina/le soglie del film. Film's Thresholds. Udine - Gorizia: Forum 2004.
    2. Petr Mareš, Téma: Filmové hraniční zóny. Iluminace 17, 2005, č. 2, s. 95-101.
    3. Britta Hartmann, Aller Anfang: Zur Initialphase des Spielfilms. Marburg: Schüren 2009.
    4. Thierry Kuntzel, Le travail du film, 2. In: Communications 23. Psychanalyse et cinéma. Paris: Seuil 1975, s. 148-149. Go to original source...
    5. Alexis Tonti, Five Minutes with … Annette Insdorf. Columbia College Today, spring 2014, s. 10. Dostupné online:, [cit. 15. 1. 2019].
    6. Kyle Stevens, Kyle Stevens reviews Cinematic Overtures. Critical Inquiry, 25. 7. 2018. Dostupné online:, [cit. 15. 1. 2019].
    7. Annette Insdorf, Double Lives, Second Changes: The Cinema of Krzysztof Kieslowski. New York: Miramax Books 1999.
    8. Annette Insdorf, Intimations: The Cinema of Wojciech Has. Evanston, IL: Northwestern University Press 2017.
    9. Annette Insdorf, Indelible Shadows: Film and the Holocaust. Cambridge: Cambridge University Press 2003. Go to original source...
    10. Annette Insdorf, François Truffaut. Revised and Updated Edition. Cambridge: Cambridge University Press 1994. Go to original source...
    11. Annette Insdorf, Philip Kaufman. Chicago: University of Illinois Press 2012. Go to original source...

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